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Review Of Gutar Gu: An Ode To ‘Love’
Review Of Prime Video’s Jubilee: A Bonzer Fiction With Real-Life ‘Periodic’ Layers
Review Of Murder Mystery 2: Gets Bollywood’s Maharaja Culture Hideously Wrong
Review Of Gaslight: More Gas, Less Light
Review Of Run Baby Run: Is Breathless With Excitement
Review Of Walter Veerayya: Should Go To The Oscars
Rana Naidu Will Return Only When Sobered-Down
HUNTER – Tootega Nahi, Todega Review: A gritty showdown of mystery and action
Review Of Rocket Boys 2: It’s not Just Rocket Science
Review Of Christopher: Crude But Vital Mammootty Starrer On Encounter Killings
Review Of Rana Naidu: Is The Armpit Of Crime Dramas
Review Of Happy Family, Conditions Apply: Is Funny & Enjoyable
The Romantics on Netflix by Yash Raj: ‘Validation,’ we understand but what is with the ‘Entitlement’?
Review Of Gulmohar: Is A Bit Of A Mess, But Moving Nonetheless
Review Of Taj: Divided By Blood: Is Downright Defamatory To The Mughals
Review Of Rabia & Olivia: Belongs In The Trashcan
Review Of Pamela, A Love Story: Gives Us The Real Pamela Anderson
Review Of The Night Manager: Aditya Roy Kapoor Shines In A Well-Assembled Jigsaw Thriller
Review Of The Romantics: Aur Nahin Gush Aur Nahin
Review of Farzi: A taut and cunning con ‘drama’
Review Of Rafta Rafta: A transition of romance
Review Of Class on Netflix: A brave take on India’s hidden casteism under the curtains of a whodunit play
Review Of Chhatriwali: So Earnest Yet So Awful
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