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Digital Editorial
Love it, hate it, can’t ignore it: TikTok India’s ‘reputation’ battle
Review of Netflix’s Choked: A Moderate Satire Redeemed by Actors
Review of Natkhat: An Unflinchingly Brutal Critique of The Male Gaze
Review of ZEE5 film Chintu Ka Birthday: A Touching Story
Review of Netflix film Sergio: Hurt Locker Meets Dr Zhivago
Review of Netflix Film The Lovebirds: Kumail Nanjiani’s Catastrophically Unfunny Wrong-com
Review of MX Player’s Raktanchal: Gore and Garrulous
Review of Forever My Girl: Is Mills & Boon Revisited
Review of Netflix’s Betaal: Shallow, Shoddy and Ill-Conceived
Review of How To Build A Girl: Festive, Funny, Feisty
Review of ZEE5’s Ghoomketu: Watch It For Nawazuddin Siddiqui
Review of ZEE5’s RejctX 2: An Edgy Taunt Thriller
Review of Netflix’s What Are The Odds: Dreadfully Droll and Consciously ‘Cool’ Film
Review of MX Player’s Official Bhootiyagiri: Sumeet Vyas steals the show
Review of End Of The Century: A Gay Romance With A Difference
Review of short film Everything Is Fine: Conveys Much More Than What We See On Screen
Review of Amazon Prime’s Paatal Lok: Is Gripping From First To Last
Review of Baarish 2: A Kalpataru Family Drama From The 1960s
Review of Ullu’s Smartphone: Sharp storytelling, Hina Khan steals the show
Review of Netflix’s Murder to Mercy: The Cyntoia Brown Story: Says Nothing About The Law or Its Casualties
Review of VOOT Select’s Illegal: Gets Into Legalese With Aplomb
Review of Netflix’s All Day & A Night: Wasted Opportunity to Portray Wasted Lives
Review of Netflix’s Mrs Serial Killer: Insufferable Pretentious Puerile Garbage
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