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‘Gyaarah Gyaarah’ Review: A glitch in time is fine; works primarily due to the impressive performances
Ekdum Jhakaas: Anil Kapoor’s the new BIGG BOSS
Review Of Milkshake Murders: A Thrilling Ride
Bluetick Review: Hooks You Right From The Start
Less Is More: Can Web Series Have Lesser Episodes?
The Redundancy Of Pankaj Tripathi
Review Of 36 Days: A Laboured Attempt At Mystery
‘Pill’ Review: Riteish Deshmukh’s medical drama intrigues but is still hard to swallow
‘Kakuda’ Review: Another rooted hilariously spooky tale that lands in bits & parts
Review of ‘Bijoya’: A Poignant Tale
‘Mirzapur S3’ Review: Intense with a sting in the tail
‘Despicable Me 4’ Review: Still Fluffy & Funny Courtesy the Minions But Nothing More
Review of ‘Rautu Ka Raaz’: A brilliant Nawazuddin Siddiqui assisted by a fantastic Rajesh Kumar
Sony LIV: Breaking the shackles and norms
The streaming boom in India: What’s working and what’s not
Bigg Boss OTT 3: An impressive Anil Kapoor & an interesting list of contestants
Review of ‘Maharaj’: Mighty & Majestic
Review of ‘Bad Cop’: Suffers from sluggish pace & predictable twists
Review of ‘Kota Factory S3’: This B&W drama continues to add colors to our lives
Regional OTT And Its Rising Pan India Impact
Prime Power: Entertainment Galore In Second Half of 2024
Opinion: Why Heeramandi Is An Important Milestone In Indian OTT Landscape
Review: ‘Gaanth, Chapter 1: Jamnapaar’ is a dark & complex tale of unexplored territories
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