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Movie Editorial
The One-Take Madness: Adolescence Proves Risk Ignites Revolution
‘Sikandar’ Review: Salman Khan’s Aura Outshines Logic in This Massy Mayhem
‘L2: Empuraan’ Review: Pushes Cinematic Boundaries While Getting Indulgent
Bengali Cinema Needs Its Folk Revival: A Call To Reclaim The Roots
Burden Of Legacy: Why Bollywood’s Gen-Z Star Kids Can’t Escape Comparisons To Their Superstar Parents
‘Snow White’ Review: Mighty Mirror on the Wall, Was This Remake Needed at All?
OPINION: What’s Ailing Star-Kid Debuts?
‘The Diplomat’ Review: A Riveting Political Thriller with a Refreshingly Restrained John Abraham
OPINION: Will Sonakshi Sinha Break Barriers With Unconventional Role in ‘Jatadhara’?
‘Mickey 17’ Review: Bong Joon-Ho Turns Existential Dread into Sci-Fi & Comedy Gold
OPINION: Oscars 2025: The Wins, The Shocks, The Snubs & That Joke
‘Crazxy’ Review: A Crazy Good Ride…Until It Isn’t!
OPINION: Salman Khan’s ‘Sikandar’ Teaser: A Glimmer of Hope for the Box Office Titan?
OPINION: Re-Releases vs. New Releases: Is Bollywood Stuck in Reverse?
‘Superboys of Malegaon’ Review: A Reel Dream with Real Heart
Mere Husband Ki Biwi Review: A ‘Marriage’ Made in Entertaining Mayhem
Bollywood In Geopolitics: Cinema As A Unifying Force Across Borders
‘Chhaava’ Review: A Ferocious Epic Redefining Historical Cinema
OPINION: 3 Sequels in 1 Year—Can Ajay Devgn Defy the Odds Again?
‘Conclave’ Review: Turns Papal Politics into a Gripping Power Play
‘Loveyapa’ Review: Love, Lies & Smartphones in a Digital Dilemma That Shines
‘Let’s Meet’ Review: A Virtual Love Story That Connects with Real Emotions
Bollywood’s Tryst With Tradition: What Stars At Kumbh Mela Teach Us About Indian Values
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