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Movie Editorial
Vanvaas Review: Family Drama Weighed Down By Tonal Inconsistencies
Khadaan Review: Dev Powers This Larger-Than-Life Storytelling
Allu Arjun: The dilemmatic irony of being a “superstar”
Tanaav Season 2 Review: A Dark, Complex Tale Of Duty, Betrayal, And Redemption
Agni Review: A Gripping Tale Of Sacrifice And Duty
Pushpa 2: The Rule Review: A Wildfire That’s ‘Ply’-ing High With Strength
Ranbir Kapoor Going Viral Without Social Media: Lesson For Others?
OPINION: Paradigm Shift in Movie Marketing: Targeting Tier 2-3 Cities
‘I Want To Talk’ Review: Emotionally Naked & Physically Bruised, Abhishek Bachchan’s Career Best
OPINION: Does Anyone Care About ‘Baaghi 4’?
‘The Sabarmati Report’ Review: An Eye-Opening Dive Into The Massacre & State of Journalism
‘Kanguva’ Review: A Visual Extravaganza & A Technical Achievement
OPINION: Will Shah Rukh Khan Ever Take Risks Again?
Patriotism Sells: War Biopics And Their Success Stories
Arjun Kapoor 2.0: Oh So Evil! Bloody So Good!
Kartik Aaryan: The New Box Office Badshah
Singham Again Review: A spectacular Diwali treat
‘Bhool Bhulaiyaa 3’ Review: Kartik Aaryan Hits The Right Notes Again
Opinion: Janhvi Kapoor VS Ananya Panday VS Sara Ali Khan: Which Star Kid Is A Better Actor?
Opinion: Female Stars Turning Producers: Worth The Buck?
Sexual content and sensationalism in Indian entertainment: Is shock value replacing meaningful storytelling?
‘Venom: The Last Dance’ Review: It is The Bromance That Connects in A Flawed Yet Satisfying Trilogy
‘Bandaa Singh Chaudhary’ Review: Arshad Warsi & Meher Vij shine giving a brave take on armed militants saving their home
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