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Movie Editorial
Dharma’s Era Of Box Office Pits
Annapurna Basu’s Sharthopor Brings Light To Indian Household Disputes
Rhea Chakraborty Gets ‘Clean Chit’—And It Mirrors Our Unhealthy Prejudices
Dhanush-Kriti Sanon: Passionate Romance Set To Burn Screens
Will Bollywood see its true Diwali Box Office potential with Ranbir Kapoor’s Ramayana in 2026?
Rashmika Mandanna: The reigning queen of Box Office
Ek Deewane Ki Deewaniyat Review: Tender, Unrushed & Emotionally True
Thamma Review: A Mythic Madhouse To Experience
From Satyajit Ray To Silence: Has Bengali Cinema Lost Its National Relevance?
Karan Johar will no longer do movies like Homebound: Is independent impactful cinema dead in India?
No, Annu Kapoor — This Is Not How You Talk About A Colleague Like Tamannaah Bhatia
No Akshay Kumar, Ajay Devgn, and Khan biggies – Will fireworks explode this Diwali with Thama and Ek Deewane Ki Deewaniyat?
Varun Dhawan and his ever-declining box office charm
Even Leonardo DiCaprio making reels for promotion: How modern-day ‘stars’ marketing has changed?
Why Are Indian Audiences Suddenly Obsessed With Supernatural Fantasy?
The Ethics Of Free Will In Artificial Intelligence: Lessons From Tron: Ares
Raid 2, Sitaare Zameen Par, Jolly LLB 3 – Are 100 Crore Club films the new 200 Crore Club HITS post pandemic?
Decoding: The Gods Of Kantara
Monster: The Ed Gein Story Review: Strong Start, Sloppy Finish
Kantara Chapter 1 Review: An Expansion Of Culture, Conflict & Divinity
Sunny Sanskari Ki Tulsi Kumari Movie Review: Varun-Janhvi Sparkle in a Glossy Wedding Rom-Com That Plays Too Safe
Maybe There Is No Answer: Sitting With The Existential Dread Of ‘Alice In Borderland’
One Battle After Another Review: Comedy, Chaos, And Counterculture Collide
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