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OPINION: Bollywood Gen X: No Box Office Pull?
Binodini Ekti Natir Upakhyan Review: A spiritual immersion with strokes of life
‘Sky Force’ Review: A High-Flying Tribute to Bravery and Sacrifice
Dear Karan Johar, Why Don’t You Make More Movies?
‘The Seed Of The Sacred Fig’ Review: A Fig-Leaf Triumph of Rebellion & Revolution
OPINION: Rashmika Mandanna’s Chhaava Maharashtrian Queen Look: Lackluster compared to Deepika Padukone, Priyanka Chopra?
‘Emergency’ Review: An Out-And-Out Kangana Ranaut Show
‘Azaad’ Review: Gallops Into Your Hearts; Redefines Star Kid Debuts
‘A Real Pain’ Review: A Bromantic Odyssey Through Loss, Humanity & Fragile Connections
Christmas Movie Releases: Box Office Jinxed?
Ram Kamal Mukherjee’s Binodini Ekti Natir Upakhyan: A Cinematic Act Of Defiance Against Cultural Amnesia
‘Game Changer’ Review: Corruption, Chaos, & Charming Charan
‘Fateh’ Review: Brutal, Sleek & Action-Packed
Review: ‘Nosferatu’ Bites Back: A Bloody Good Gothic Revival
OPINION: Varun Dhawan: Still A Bankable Star?
Can The Real Salman Khan Stand Up, Please?
Are Re-Releases Exposing Bollywood’s Creative Block?
The ‘Mighty’ Maddock Slate: ‘Stree 3’, ‘Bhediya 2’ & ‘Maha Munjya’; New Entries Like ‘Shakti Shalini’ & ‘Chamunda’
Sonic The Hedgehog 3 Review: Blue Blur’s Best Adventure Yet
Is Allu Arjun A Bigger Star Than The Khans? The Ultimate Box Office King Of India
Baby John Review: A maximalist take on ‘Justice’ and ‘Revenge’
Vanvaas Review: Family Drama Weighed Down By Tonal Inconsistencies
Khadaan Review: Dev Powers This Larger-Than-Life Storytelling
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