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OTT Vs Bollywood Debacle: Content Remains The Monarch
Akshay Kumar: The Flop King Of Bollywood
Review Of Nanpakal Nerathu Mayakkam: Is A Semi-Awake Meditation On Identity
Review Of Creed 3: Is Good, But Not That Good
Decoding Ranbir Kapoor: The ‘timeless’ Chocolate Boy of B-Town
Review Of The World After Us: Is About Being Young, Reckless & Pennyless
Review Of Selfiee: Akshay Kumar Nails It As A Superstar On The Skids
Decoding Janhvi Kapoor: A Sedulous “Performing Artiste”
Review Of Ennalum Ente Aliya Is A Dull Witless Comedy
Review Of 18 Pages: Contrived But Cute Take On Acts Of Kindness
Lack of Diversity: Indian Cinema Failing On ‘Representation’
Review Of Shehzada: Kartik Aaryan Shines In Shehzada
Review Of Lost: “Know Means Know”…. Lost Is A Gripping Tense Expose On Erosion Of Values
All that glitters ain’t gold: Star kids who failed to make an impact in B-Town
Indian Cinema And Toxic Masculinity
Review Of Almost Pyaar With DJ Mohabbat: Is Anurag Kashyap’s Mellowest Most Meditative Movie In Many Years
Review Of Faraaz: We Are The Champions
Decoding Pathaan Success: Here’s Why No #Boycott Trend Could Cause Harm To The Film
Is Bengali film industry losing its glory?
Review Of Pathaan: Is A Slick Spin On SRK’s Stardom
Review Of Mission Majnu: Crossborder Rom-Kaum
Review Of Kuttey: Is A Promising Debut For Aasmaan Bhardwaj
Year Ender 2022: Most Popular Movie Stars Of The Year (Female): Alia Bhatt, Kiara Advani, Tamannaah Bhatia, Rakul Preet Singh, Janhvi Kapoor, Tabu, Kriti Sanon
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