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Fahadh Faasil, Time To Stay Away From Mediodre Roles And Stand Out As A Performer!!
Opinion: Movie Promotions With Content Creators: Box Office Boon or Bane?
The Infighting In Bollywood And Death Of Art
Opinion: Are Lengthy Film Trailers Necessary?
Bengali Cinema And Box Office: Is Commercial Cinema Back In Business?
Of Guns & Glamour: The Baba Of Bollywood
‘Jigra’ Review: Alia Bhatt Proves Again Why She is Bollywood’s ‘Jigra’
Dear Bhool Bhulaiyaa And Singham Makers: Why Clash When You Can Make Cash?
‘Vicky Vidya Ka Woh Wala Video’ Review: A Roaring Malika Sherawat Comeback Makes Up For Haphazard Writing
‘Tekka’: Srijit Mukherji’s Gripping Thriller Explores Class Struggle
Unraveling Deceit and Redemption: ‘Bohurupi’ Thrills with Cop-Police Chase and Cultural Authenticity
Opinion: Slow & Steady: Films That Ran Over 4 Weeks & Won The Race
‘White Bird’ Review: A Warm Hug For Your Soul & A Wholesome Reminder To Be Kinder
‘Devara Part 1’ Review: NTR Jr carries this film ably just like he carries a shark on his shoulders
Viewpoint: Bollywood’s Obsession with Mr Goswami
Ishq In The Air Review: A Heartfelt Exploration of Love and Connection
‘Yudhra’ Review: Sleek & Impressive Action
‘Never Let Go’ Review: A slow burn that haunts you psychologically & effectively
‘Transformers One’ Review: An origin story that pleasantly surprises due a phenomenal voice cast
Universes: YRF Spy v/s Maddock HCU v/s Rohit’s Cop: Which One Has The Most Potential in Future?
‘The Buckingham Murders’ Review: Is there anything Kareena Kapoor Khan can’t do?
Not-So-Happening Onam 2024 In Mollywood: All Eyes On A.R.M, Kishkkindha Kandam, Kondal, And Bad Boyz
‘Thangalaan’ Review: The Metamorphosis of Chiyaan Vikram is reason enough to watch this ambitious project
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