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‘The Sabarmati Report’ Review: An Eye-Opening Dive Into The Massacre & State of Journalism
‘Kanguva’ Review: A Visual Extravaganza & A Technical Achievement
OPINION: Will Shah Rukh Khan Ever Take Risks Again?
Patriotism Sells: War Biopics And Their Success Stories
Arjun Kapoor 2.0: Oh So Evil! Bloody So Good!
Kartik Aaryan: The New Box Office Badshah
Singham Again Review: A spectacular Diwali treat
‘Bhool Bhulaiyaa 3’ Review: Kartik Aaryan Hits The Right Notes Again
Opinion: Janhvi Kapoor VS Ananya Panday VS Sara Ali Khan: Which Star Kid Is A Better Actor?
Opinion: Female Stars Turning Producers: Worth The Buck?
Sexual content and sensationalism in Indian entertainment: Is shock value replacing meaningful storytelling?
‘Venom: The Last Dance’ Review: It is The Bromance That Connects in A Flawed Yet Satisfying Trilogy
‘Bandaa Singh Chaudhary’ Review: Arshad Warsi & Meher Vij shine giving a brave take on armed militants saving their home
Fahadh Faasil, Time To Stay Away From Mediodre Roles And Stand Out As A Performer!!
Opinion: Movie Promotions With Content Creators: Box Office Boon or Bane?
The Infighting In Bollywood And Death Of Art
Opinion: Are Lengthy Film Trailers Necessary?
Bengali Cinema And Box Office: Is Commercial Cinema Back In Business?
Of Guns & Glamour: The Baba Of Bollywood
‘Jigra’ Review: Alia Bhatt Proves Again Why She is Bollywood’s ‘Jigra’
Dear Bhool Bhulaiyaa And Singham Makers: Why Clash When You Can Make Cash?
‘Vicky Vidya Ka Woh Wala Video’ Review: A Roaring Malika Sherawat Comeback Makes Up For Haphazard Writing
‘Tekka’: Srijit Mukherji’s Gripping Thriller Explores Class Struggle
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