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Review of Double iSmart: Puri Jagannadh Should Take A Long Sabbatical
‘Stree 2’ Review: Funnier, Scarier, Absolute Knockout
‘Vedaa’ Review: Sharvari is the beating heart of this relentless slobberknocker
Stree VS Vedaa VS Khel Khel Mein: The Ultimate Battle Of The Box Office
Review: ‘Khel Khel Mein’ shows the Akshay Kumar we yearned for
‘Borderlands’ Review: A messy mayhem that keeps getting worse & worse
‘It Ends With Us’ Review: A rare & relatable romantic drama that hits you in the gut but leaves you with a smile
Survival Drama Concepts, A Sure-Shot Success: Aadujeevitham: The Goat Life, Manjummel Boys And 2018 Effectively Prove It
‘Ghuspaithiya’ Review: An earnest attempt to showcase a taut cyber crime saga
An Analysis on How Cinematography Conveys Moods & Tells a Story More Effectively
Strangely, Karan’s ‘Johar’ was missing from the Ambani wedding bling, but why?
Remake Madness Not Working, Bollywood Needs To Be More Original In Content
‘Auron Mein Kahan Dum Tha’ Review: An Ode To Old-School Romance That Works in Parts
‘Ulajh’ Review: Spearheaded By An Earnest Janhvi Kapoor, Ulajh is An Entangled Mess
Films Being Reborn on OTT; Why It Happens?
Raayan Is Winning Hearts; Is It Dhanush’s Best Performance?
The Quagmire Called Bengali Film Industry: Of Chaos, Conflict & Creativity
Triptii Dimri: All About Sensuality Or There is More To Her?
‘Deadpool & Wolverine’ Review: Breathing Life & Great Humor Back into The MCU
Separation in Tinseltown: Sad But Not Bitter Anymore
Dear Akshay Kumar: Take A Moment & Hang On
‘Bad Newz’ Review: Good Humor & Performances Partially Make Up For The Lost Potential
Of Violence and Valour: The “Kill” Thrill In Cinema
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