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‘Ghuspaithiya’ Review: An earnest attempt to showcase a taut cyber crime saga
An Analysis on How Cinematography Conveys Moods & Tells a Story More Effectively
Strangely, Karan’s ‘Johar’ was missing from the Ambani wedding bling, but why?
Remake Madness Not Working, Bollywood Needs To Be More Original In Content
‘Auron Mein Kahan Dum Tha’ Review: An Ode To Old-School Romance That Works in Parts
‘Ulajh’ Review: Spearheaded By An Earnest Janhvi Kapoor, Ulajh is An Entangled Mess
Films Being Reborn on OTT; Why It Happens?
Raayan Is Winning Hearts; Is It Dhanush’s Best Performance?
The Quagmire Called Bengali Film Industry: Of Chaos, Conflict & Creativity
Triptii Dimri: All About Sensuality Or There is More To Her?
‘Deadpool & Wolverine’ Review: Breathing Life & Great Humor Back into The MCU
Separation in Tinseltown: Sad But Not Bitter Anymore
Dear Akshay Kumar: Take A Moment & Hang On
‘Bad Newz’ Review: Good Humor & Performances Partially Make Up For The Lost Potential
Of Violence and Valour: The “Kill” Thrill In Cinema
‘Twisters’ Review: A technically proficient disaster saga with a few twisting bumps
Raayan Trailer: Dhanush And SJ Suryah’s Ultimate Combat For Power Is Intriguing
Fresh & Fabulous: Bollywood’s New Box Office Hope
‘Hindustani 2’ Review: There shouldn’t be a ‘Hindustani 3’, unfortunately there is
VFX Breakdown of ‘Kalki 2898 AD’ & Its Impact
‘Sarfira’ Review: Akshay Kumar flies high in this stunning entertainer
Review Of Toofan: A Stormy Thrill Ride with Shakib Khan
Review Of : Ajogyo, Is Prosent-Rituparna’s 50th Film Together, And Worth A Watch For Them
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