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The bond of Rakhi on Indian television
Amit Behl Writes: CINTAA and its Efforts to make the ‘voice and problems’ of the Indian ‘performer’ heard
The Pain of Posthumous
My failure as a television writer was the most ‘wonderful’ stroke of luck– Shares Tuhin A. Sinha, Author and Politician
Review: India’s Best Judwaah on Zee TV
When Life’s NOT Ok, seek help from Bharat
Review: Khatron Ke Khiladi 8 on Colors
Review: Mahakali – Anth Hi Aarambh Hai on Colors
Has Barun Sobti fan magic faded on small screen?
Review: Pehredaar Piya Ki on Sony TV: Bold, bizarre or berserk?
IIFA 2017: What’s so offensive about Karan, Saif and Varun’s nepotism joke aimed at Kangana?
Review: Zee TV’s Kundali Bhagya
Review: Tenali Rama on SAB TV
Munir Lone, Head of Operations, Cinevista Writes: TV has evolved, but there is no sincerity left
Review: Iss Pyaar Ko Kya Naam Doon on Star Plus
Review: Chandrakanta – Ek Mayavi Prem Gaatha on Colors
Review: Bakula Bua Ka Bhoot on &TV
Review: Aarambh on Star Plus
Shweta Basu Prasad Writes: Your genes make you beautiful, not your jeans
Anooj Kapoor Writes: I want to make Creative Eye a robust production house
The Biggest Bash of the Year is Here
Creative Director Manjari Mukul Writes: I don’t have a ‘struggle’ story…
Mohit Malik Writes: Importance of ‘Workshops’ in an actor’s life
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