Nanichora Chowdhury Byadh, a talented Baul artist, has been making headlines with his soulful rendition of ‘Shimul Palash’ in the Bengali film ‘Bahurupi’. However, behind his success lies a poignant story of struggle and societal disregard for multifaceted artists.
Born into a family of traditional multifaceted artists, Nanichora’s journey began at a young age. He recalls watching his grandfather, father, and uncles don various costumes to perform. Inspired by Karthik Das Baul’s songs, he decided to learn Baul music. With limited resources, he crafted his own musical instrument, a gabu, from a tin can.
Despite his family’s initial hesitation, Nanichora’s father eventually supported his passion. However, he soon realized that multifaceted artists face immense disrespect. People often view them as beggars or madhukari, offering meager compensation and ridicule.
Nanichora shared a painful experience where a drunkard mocked his outfit, asking if he couldn’t find “real” work. Such incidents highlight the industry’s dire need for recognition and respect.
The multifaceted artist emphasized that government intervention is crucial to preserve this rural Bengal tradition. While the current government provides a modest allowance, more support is necessary for clothing, education, and sustaining the art.
Nanichora’s favorite character, Tarasundari, represents his artistic expression. He cherishes the freedom to convey his thoughts through music and performance.
The film ‘Bahurupi’ transformed Nanichora’s life, offering him a platform to showcase his talent. He praises directors Nandita Roy and Shiboprosad Mukherjee for their support. Recording his song was a surreal experience, and he acknowledges Shiboprosad’s exceptional performance.
Though ‘Shimul Palash’ has resonated with many, Nanichora’s struggle persists. He laments, “I sang the song, but still beg people in many costumes.” When asked about multifaceted humans, he philosophically responds, “Humans are multifaceted; they change from one form to another.”
As Nanichora’s story unfolds, it becomes clear that multifaceted artists deserve dignity and recognition. Their art form, though ancient, faces extinction due to societal apathy.
The Bengali film industry’s appreciation for Nanichora’s talent has brought hope. However, it is crucial to address the deeper issues plaguing this traditional art form.
Nanichora’s journey serves as a testament to the resilience of multifaceted artists. As he continues to perform and share his story, he inspires others to recognize the value of this ancient tradition.