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From Sudhanshu Pandey, Abrar Qazi, Dheeraj Dhoopar To Krushal Ahuja: Television’s Flawed Male Leads
The Review of: The Teachers’ Lounge Visceral Intense & Uncompromising
Review Of Kaiva: Kaiva Kannada Cinema’s Own Homage To Misogyny
Review Of All India Rank: All India Rank The Unbearable Lightness Of Being Nobody
Review Of Poacher: Poacher, It Tells Us Something We Must Hear
Review of Article 370, Much Much More Than A Motion Picture
Dhanush’s ‘intense’ look in Raayan creates excitement among fans
Rakshak – India’s Braves: Chapter 2 Review – A riveting ode to courage
Review Of Bubblegum: Bubblegum Is Even More Dangerous Than Animal
Review of Sony Entertainment Television’s Kuch Reet Jagat Ki Aisi Hai: Captivating Narrative, Tackles Dowry Issue With Grace
Chiyaan Vikram’s Search For Success At Film Festivals For Thangalaan
Review of The Beekeeper, An Instant Action Classic
Mrunal Thakur: The Rising Performer Down South
Review of Colors TV’s Pracchand Ashok: Noteworthy in performances, but lacks in execution
Review Of All Of Us Strangers: All Of Us Strangers, Half-Awake, Half-Dream Wholly Enrapturing
Dillogical Review: A perfect modern love story
Review Of Captain Miller: Captain Miller Is Dhanush At His Selfindulgent Worst
Separation Tracks Spark Boycott Trends In TV Shows
Review Of Love Storiyaan, Caressible Love Tales With Equal Measures Of Pleasure & Pain
Rajinikanth’s Extended Cameo In Lal Salaam Is ‘Classy’ And ‘Preachy’
Review Of Upgraded, Upgraded, Sloshy Silly But Fun
Review Of Anweshippin Kandethum, Tovino Thomas Headlines A Taut, Gripping Police Procedural
Bhakshak Review: A Big Prod To The Conscience
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