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‘Dune: Prophecy’ Review: We did not need another ‘Dune’ creation but still, why not!
The Magic Of Shiri Review: Breaking Barriers With Magic, Love, And Personal Growth
Freedom At Midnight Review: An Evocative And Unflinching Look At India’s Last Year Under British Rule
Sisters At Loggerheads – Turning Out To Be An Overdose On Television
‘The Sabarmati Report’ Review: An Eye-Opening Dive Into The Massacre & State of Journalism
‘Half Love Half Arranged 2’ Review: Still Relatable & Even More Refreshing
‘Kanguva’ Review: A Visual Extravaganza & A Technical Achievement
OPINION: Will Shah Rukh Khan Ever Take Risks Again?
‘Vijay 69’ Review: Laugh, Cry & Root For Anupam Kher As He Displays His Acting Masterclass
Patriotism Sells: War Biopics And Their Success Stories
‘Citadel: Honey Bunny’ Review: Apt Style & Substance Despite Momentary Bumps
Arjun Kapoor 2.0: Oh So Evil! Bloody So Good!
Kartik Aaryan: The New Box Office Badshah
Singham Again Review: A spectacular Diwali treat
‘Bhool Bhulaiyaa 3’ Review: Kartik Aaryan Hits The Right Notes Again
‘Mithya – The Darker Chapter’ Review: A Gripping Story of Deception and Shifting Loyalties
Opinion: Has Bigg Boss Lost Its Sheen?
Opinion: Janhvi Kapoor VS Ananya Panday VS Sara Ali Khan: Which Star Kid Is A Better Actor?
‘Mirzapur’ Going Cinema: Other Shows Which Can Make The Cut
Opinion: Female Stars Turning Producers: Worth The Buck?
Sexual content and sensationalism in Indian entertainment: Is shock value replacing meaningful storytelling?
Do Patti Review: Kriti Sanon Trumps The Aces With Her Do Patti Act
‘Venom: The Last Dance’ Review: It is The Bromance That Connects in A Flawed Yet Satisfying Trilogy
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