VFX
VFX Breakdown of ‘Kalki 2898 AD’ & Its Impact
The gargantuan success of Kalki 2898 AD acts as a huge sigh of relief for the makers, especially taking into account the history of Indian films and VFX technology (looking at you Adipurush). This is in the context of how the Indian audiences, who don't accept mediocrity in the product they are being presented with are paying good money to be invested in the story and ambition. Director Nag Ashwin and the entire team of film were cognizant of this and thus enabled a meticulous process of creating the world of Kalki 2898 AD practically and technologically. As mentioned above, t | Click Here...
Prabhas Starrer Adipurush Gets Trolled For Poor VFX; Find Out
Adipurush the next Prabhas film is all set to come. The teaser of the same was much-awaited and welcomed by one and all. A huge event was hosted in Ayodhya for the same, where director Om Raut and the team participated. Netizens have finally got what they wanted. But to their utter disappointment, the feedback and response for the trailer has not been awesome. A report on koimoi.com talked about it and we take reference from that story for our write up here. Ever since the teaser has been released, netizens are sharing their disappointment over the film’s poor VFX work and cartooni | Click Here...
Celeb Like Body Obsession Is Funny: Omkar Singh
A little VFX on the screen and boom - there is a flying man who can lift cars with his hands and shoot lasers from his eyes. In this day and age, there are still many who want to achieve the body dimensions of popular celebs. Omkar Singh says that the obsession of people to achieve six-pack abs and celeb-like body figure is understandable but it is funny. Clients often walk up to the gym and ask Omkar to turn them into the celebs they admire. “Some of them want to look like the trending Bollywood diva and often it is the actor with really big biceps” replies Omkar when asked what | Click Here...
Sony TV’s Porus and Prithvi Vallabh: Making small screen large
Ambition when backed by belief and hard work becomes destiny. There are a rare few who strive hard, battle challenges, endure like no other…but never give up. The content paradigm in Indian television industry currently is in a state of flux. Hordes of ideas circle in the beaming galaxy, some connect with the audiences while most become irrelevant and enter the abyss of nothingness. The need of the hour are endeavors which can break the monotony. And the shock, awe and admiration appeal has been brought by Sony Entertainment Television, thanks to its two power-packed venture | Click Here...
Drishyam VFX COO Rajeev Kumar Writes: VFX in Indian television
It’s been a long journey since the initial days when I used to work with Anibrain. I have been part of the VFX and animation industry since a decade now and have mapped its changing contours at every ebb & flow. And I must admit, the journey has been rather flourishing. My forte is films, but when Indianwikimedia reached out to me to pen my thoughts on VFX and its use in Indiantelevision, I decided to put words on the white sheet. VFX, contrary to popular notion, is more than mere technology. It’s an absolute art form. It’s an integral part of storytelling, acting as | Click Here...
Nikhil Sinha to open “The Vertex School of visual Effects and Animation” in Ahmedabad!
The very successful Producer Nikhil Sinha has been the force behind some of the most mind blowing television shows we have seen recently. And now, Nikhil has added a new feather in his cap. The visual effects company that he owns, titled Vertex Volt has been directly involved in the VFX of many popular shows on Indian television. Besides shows for Triangle Films, the company has done the visual effects for shows like Mahakumbh, Shapath, Chandra Nandni, Naagarjun, Devon Ka Dev Mahadev, Hatim, Siya Ke Ram, Prem Ya Paheli Chandrakanta and many more. Speaking about the | Click Here...